San Francisco-based wood Wand is a fitting hero of the struggle against the popular movement: a troubadour expressed reeds surrounded by myths and without a shred of common sense. Wand and his troupe of minstrels turning to musical equivalent of finding objects of art, antiques tons mounting to play preliminary garde.There of a famous rock and roll legend of dubious origin which goes something like this : One day in early 1967, during the recording of what was to be self Gene Vincent album entitled, Gene and most of his group were shanghaied on some international car with difficulty, and failed to notify the studio they would not be able to record date. An enigmatic young group called The Seeds happened to be in the city, and seized the opportunity. The group entered the studio Gene's Place, and before the engineers and studio hacks knew what had happened, the tread has been and seeds have actually commandeered the session. The band left with a coil of music has been described by the few who have heard ludicrously as "obscenely great" rock and roll.
This story, as well as the now well-worn story of Jandek note for note hedge between the buttons, perhaps the only things you prepare adequately for the second Beware, the new album Wooden Wand & The Sky High Band.
Recorded live and on vintage equipment in San Francisco, CA, the second attention is just a declaration of swagger. The pan-coastal strip - representing California, the Midwest, South and New York City - spent two weeks in an amendment holes two-storey house with nothing but three rolls of tape, a lot of instruments and copious quantities of drugs and alcohol. This album is the result of the time.
Possessed with the heart and soul of Neils two Hagerty and youth, Wooden Wand led the group - with members of Skygreen Leopards, The Vanishing Voice and Davenport - a rollicking eleven songs that recall these masterpieces cracking Tonight's The Night and Mendocino. Wand has become somewhat well known in some circles for his surreal lyrical imagery, as a mixture Uppity informed by Robyn Hitchcock as the man himself Zimmer, and the Second Attention, it spares no detail, if the discussion pitfalls of the American idealist, sneakily launch in references to Alexander Jodorowsky films, or weighing on Stanley Burroughs controversial guide fasting, the master of cleaning. But for what we owe this new barbarism, this defeat performance that has no precedent on one of its previous Wand sides? Is this the rubber-legged starry eyes and that the band to blame for leading our narrator without fear in the black rock and roll abyss? Or maybe it was in the vicinity themselves who have caused most often urban Wand to rebel against the much beauteous and pastoral? Perhaps all godforsaken band just spent too much time to listen - and possibly a misinterpretation - Songs of Love and Hate? Never mind. There is beauty in the periphery, but also small details. Second, it is really the case East and West. When the shimmering suddenly dark. Sunshine meets grease. It will probably be remembered as the album that remains after all the "movements" inevitably move forward. Or, perhaps more point - to paraphrase the late, great Townes Van Zandt - do not let the sun fool ya, motherfucker.
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Wooden Wand and the Sky High Band
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